We started the 2015-2016 season with the exhibition Colectives in the white cube. Audiovisual proposals "in the limits" for a changing society. The exhibition was considered as a combination of video-creation, non-fiction cinema and video installation, following the line of work we have called "In the limits", and aims to cross the borders of these labels associated with audiovisual languages to understand the relationship of this medium of expression with both artistic space and society as a whole.

Presentation of the exhibition “Museari: Aesthetics of Sexual Diversity” at the La Gauche Divine program of Radio Klara, with Ricard...
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Correspondences between institutions, movies, filmmakers; between research and generation of images and their distribution.

The exhibition "Collective in the white cube", in the seat of La Posta Foundation, has allowed us to experience the work of Left Hand Rotation, SomosNosotros, Cinematrueque and Paupac Azul envelope and to some extent matteric. After the exhibition you can continue to enjoy these on the web, otherwise through the plasma or LCD monitor, a typical digital experience.

The exhibition "Collective in the white cube", in the seat of La Posta Foundation, has allowed us to experience the work of Left Hand Rotation, SomosNosotros, Cinematrueque and Paupac Azul envelope and to some extent matteric. After the exhibition you can continue to enjoy these on the web, otherwise through the plasma or LCD monitor, a typical digital experience.

The exhibition "Collective in the white cube", in the seat of La Posta Foundation, has allowed us to experience the work of Left Hand Rotation, SomosNosotros, Cinematrueque and Paupac Azul envelope and to some extent matteric. After the exhibition you can continue to enjoy these on the web, otherwise through the plasma or LCD monitor, a typical digital experience.

The exhibition "Collective in the white cube", in the seat of La Posta Foundation, has allowed us to experience the work of Left Hand Rotation, SomosNosotros, Cinematrueque and Paupac Azul envelope and to some extent matteric. After the exhibition you can continue to enjoy these on the web, otherwise through the plasma or LCD monitor, a typical digital experience.

Regardless of the intrinsic value of the work "The Most Electrified Town in Finland", Mika Taanila, view dOCUMENTA (13) 2012 Kassel (Germany), we show in this screening, was struck by the form of display by the use of multi-screen, and what is most important to us, for the contextualization of the cinematographic work connecting it with an installation in another room that mixes the exhibition of another film by Mika Taamila "Sommerreise" 2006 (this time shown in a micro tv), a documentary about Erkki Kurenniemi ―nuclear-scientist, composer, inventor of electronic musical instruments, experimental filmmaker, industrial-robotics specialist―, which can be seen alongside objects corresponding to work of this scientific-artist and information technology obsolete displayed to mode archaeological remains all in the Orangerie in Kassel that houses the Kabinett der Astronomie und Physik. It seems as if contemporary art, as well as centers that house, after confused with a museum of anthropology, now it blends into a Science Museum.

From the third season of "Cinema to come" held in 2015, the project team developed a monitoring process with viewers and spectators who attended the screenings, lectures and workshops this year. This collaborative process has enabled the realization of a number of film pieces that have been exhibited at the La Posta Foundation, within the framework of the project "In the limits" (May-June 2015). Thus, "In the limits (Part 2): Public to come" stated, throughout the month of June, work done by the public "Cinema to come". Or rather by different public.

When you have completed the first season of La Posta Foundation (October 2014 - June 2015) seems time to take stock of what happened.