Between the visual and the sound there is time


Joan Gómez Alemany, who is 29 years old, comes from an initial training in music, which later has moved towards the visual arts, searching hard for transdisciplinarity. He moves with ease in a wide range of ocher, and his music/sound art seeks, as he says, to be at the same level as the images, in that sense, nor does it seek to make it go unnoticed, non-existent, according to the modern ideal, nor give it an autonomous role, but using its words, it is: "a work that wants to see the sounds, in the same way that the images are heard".

“The spoil illuminates our cities” and the public art


Does the artistic object show an image or trigger an image inside us? In the case of Beatriz Millón's work "The spoil illuminates our cities" it is difficult to distinguish, because it is pure light, electric, dazzling. The flashes of the lights are mixed with the images that glare activates.

Charley Toorop in the IVAM Valencia and the social realism


With the name Reinventing the representation: Dutch interwar art, 28 works from the Kunstmuseum Den Haag, the Netherlands, are exhibited in the IVAM Valencia, in addition to some more belonging to the IVAM collections, also from that historical period (George Grosz, Max Beckmann and Otto Dix). Of the 28 works coming from The Hague, 11 of them are by Charley Toorop.

Silence. The event summary


"Silence" by Norberto Llopis. A program in collaboration with Miguel Angel Baixauli and La Posta Foundation within the Variations on the plane cycle of the IVAM Produce programming line.

Facing them. The video interviews


The set of images on display that form the project “Facing them” with Muslim women from Valencia, force the recipient to put their life experience at stake, to inquire inside what is their own meaning in relation to what is watching.

Summary season 2018-2019: Subplots of the image


Are there hierarchies between the images? We think that they are determined by the organizational models applied to their thinking, creation and dissemination. At La Posta Foundation we follow an organizational model that dilutes the differences between inside and outside the organization. As stated in the letter of presentation of La Posta ―on this website―: " La Posta Foundation is a nonprofit organization that bases its strength in establishment relationships with partners who work for their own benefit sharing common goals". This indifferentiation between inside and outside of the organization is reinforced by the fact that, in the development of concrete projects, the differences between thinkers, creators and diffusers of the images and the audience to which they would be directed are diluted, because the latter actively participates in the whole process; an audience that often did not exist prior to the start of the project, but rather it is an audience that emerges with the development of the same and participates in the thought, creation and dissemination of the images. What we call the public to come.

Techno-baroque protest. The room sheet


«Techno-Baroque Protest» is not just an exhibition of archives of the first sex-dissident revolts of Chile (1973), Spain (1977) and the USA (1969).

50th anniversary of the Stonewall revolt


It is often cited as an event that gave rise to the Gay Pride and everything that would come later, the revolt that took place at the Stonewall Inn and in its surroundings, in the Greenwich Village of New York, on June 28, 1969. That was 50 years ago. For that reason, it does not seem a bad idea to dedicate a memory.

Feminist Video and Interventions


On Saturday April 6, within the program of parallel activities carried out within the framework of the exhibition Feminist Plots ―a formulation of the LABi team (a project of the Master in Photography, Art and Technique of the Polytechnic University of Valencia in collaboration with La Posta Foundation)―, we had the opportunity to see a feminist video and installations sample (plus a guided tour), composed of the following works:

Textile art in Indonesia. Ima Novilasari


In the last trip to Indonesia we had the opportunity to know the work of Ima Novilasari (1991, Blitar, Indonesia), who studied at the School of Art and Design of Surakarta. An artist/craftswoman who, although young, has a long experience in the field of tapestry, has developed among others a collaborative work with husbands and mothers "Visualization of the meaning of kinship through the Tapestry", a work that shows that during work in the group elaboration of tapestries other values ​​arise