The art of the territory, in the tradition of the conservation of cultural assets

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It is this concern for the population residing in the territory, which does not appear in the images because it has been or is being displaced, its absence is what marks these landscapes, as well as the taking of the party in favor of its vindication in favor of the conservation of those territories as they were before the interventions that have displaced them.


Kluge Miniatures

Screening

As usual in La Posta Foundation, after the celebration of an exhibition focused on the audiovisual, we extend the experience on the web. In this case ―after "Alexander Kluge. Gardens of Cooperation"―, we do it with a work that has not been seen in the cinematographic exhibition but that summarizes very well some of the most outstanding characteristics of the works that were exhibited in it (in 2 programs). This is Vermischte Nachrichten (Miscellanea news), a work of Kluge and Beate Mainka-Jellinghause of 1988


The Art of My Scars (2016)

Screening

Our friend Kay J. Browning, from Devon, UK, we met through Beccy Strong, who participated in the exhibition "neXus. New looks in European documentary photography", he sends us a very good video (the one you can see above)


E.A. Winterstein, Fire Extinguisher / Firefighter E.A. Winterstein (1968), Alexander Kluge

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It happens sometimes when an exhibition is prepared, when selecting works, thinking about them, investigating their lives, restoring them if it is the case, sometimes surprises arise. There is a memorable case among the exhibitions held in Valencia. This is the case of the exhibition that took place in the MuVIM from April 27 to July 16, 2006 "Valencian painting in the Ermitage collection. Centuries XVI-XVII". The well-known Russian museum ceded works of Valencian painters of the Renaissance that it hoards in its collections, and on the occasion of the preparatory works of the exhibition in the MuVIM, which were carried out by the curators of the Valencian museum, it was discovered that some of the works donated for the exposition was false (or let's say that the authorship had been attributed in the wrong way).


Extension and Branches

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In just three seasons, the activities of La Posta Foundation have gone from being mainly exhibitions of plastic arts/visual arts, incorporating an important educational and participative content, and, lately, a process of extension and ramifications, As a result of the collaboration with other friendly entities, as well as of the potential of the projects being developed, which unfolded showing aspects that, although implicit, had not developed their full capacity.


Look Voyeur. Ex post notes

Texts

4 changes of clothing in 30-minute intervals (non-action time), suspended time in which performers observe and are observed by an audience that behaves according to unconscious and everyday habits.


Parany

Screening

As usual in La Posta Fondation, after the exhibition of videographic/cinematographic works in the room, we leave them on display in our web 24 hours 7 days a week. This costume has more interest if it fits in the case of Parany Jaume Subirana/Gringos ―which was exhibited during the presentation of Apology/Anthology, the compilation of video art of the last 50 years in Spain, promoted by the distributor Hamaca―, Since this work does not belong to the catalog of Hamaca, then it is not in the web of the project


“I am not entirely happy unless I am here, in my country”. Post-curatorial notes

Screening

With the audiovisual device put in work during the exhibition, she staged Nicoleta Moise, through a live projection, the use made of the people present her book. How to turn the pages, stopping at certain images or texts; but also how hands touching the book will move from its location, slide or tilt, reframing on the projection screen images manipulated book.


2016 – 2017 Season Program

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After two seasons, you can be appreciated the lines of action are consolidated from the set of ideas that lit the birth of La Posta Foundation.