Parany

Screening

As usual in La Posta Fondation, after the exhibition of videographic/cinematographic works in the room, we leave them on display in our web 24 hours 7 days a week. This costume has more interest if it fits in the case of Parany Jaume Subirana/Gringos ―which was exhibited during the presentation of Apology/Anthology, the compilation of video art of the last 50 years in Spain, promoted by the distributor Hamaca―, Since this work does not belong to the catalog of Hamaca, then it is not in the web of the project


“I am not entirely happy unless I am here, in my country”. Post-curatorial notes

Screening

With the audiovisual device put in work during the exhibition, she staged Nicoleta Moise, through a live projection, the use made of the people present her book. How to turn the pages, stopping at certain images or texts; but also how hands touching the book will move from its location, slide or tilt, reframing on the projection screen images manipulated book.


The good guys, Paupac Azul

Screening

The exhibition "Collective in the white cube", in the seat of La Posta Foundation, has allowed us to experience the work of Left Hand Rotation, SomosNosotros, Cinematrueque and Paupac Azul envelope and to some extent matteric. After the exhibition you can continue to enjoy these on the web, otherwise through the plasma or LCD monitor, a typical digital experience.


Drift 001, Cinematrueque

Screening

The exhibition "Collective in the white cube", in the seat of La Posta Foundation, has allowed us to experience the work of Left Hand Rotation, SomosNosotros, Cinematrueque and Paupac Azul envelope and to some extent matteric. After the exhibition you can continue to enjoy these on the web, otherwise through the plasma or LCD monitor, a typical digital experience.


Nothing to gain, nothing to lose, SomosNosotros

Screening

The exhibition "Collective in the white cube", in the seat of La Posta Foundation, has allowed us to experience the work of Left Hand Rotation, SomosNosotros, Cinematrueque and Paupac Azul envelope and to some extent matteric. After the exhibition you can continue to enjoy these on the web, otherwise through the plasma or LCD monitor, a typical digital experience.


Absurd speed, Left Hand Rotation

Screening

The exhibition "Collective in the white cube", in the seat of La Posta Foundation, has allowed us to experience the work of Left Hand Rotation, SomosNosotros, Cinematrueque and Paupac Azul envelope and to some extent matteric. After the exhibition you can continue to enjoy these on the web, otherwise through the plasma or LCD monitor, a typical digital experience.


The Museum as part of the cinematic device. Mika Taanila in context.

Screening

Regardless of the intrinsic value of the work "The Most Electrified Town in Finland", Mika Taanila, view dOCUMENTA (13) 2012 Kassel (Germany), we show in this screening, was struck by the form of display by the use of multi-screen, and what is most important to us, contextualization of film work with an installation that combines the exhibition of another film by Mika Taamila "Sommerreise" 2006 (this time shown in a micro tv), a documentary about Erkki Kurenniemi ―nuclear-scientist, composer, inventor of electronic musical instruments, experimental filmmaker, industrial-robotics specialist―, which can be seen alongside objects corresponding to work of this scientific-artist and information technology obsolete displayed to mode archaeological remains all in the Orangerie in Kassel that houses the Kabinett der Astronomie und Physik. It seems as if contemporary art, as well as centers that house, after confused with a museum of anthropology, now it blends into a Science Museum.


“Public to come” and “New public”

Screening

June 22 was released in I'm Camera, the program of the CCCB, the audiovisual "New Public" in full coincidence and content with the activities of La Posta Foundation "In the limits Part 2: Public to come". It was from the CCCB from where they contacted us to inform us of the happy coincidence. We have brought the audiovisual for viewing by all the public to come. It's no wonder this type of coincidences, as it is one of the key issues concerning the audiovisual immersion to which we subjected on multiscreen environment in which our life experience occurs.