The Spanish Earth (1937)

Screening

This post is a continuation of the one published in November 2019 "Charley Toorop in the IVAM Valencia and the social realism". In that we refer, to the thread of the comment on the exhibition that was being held at the IVAM at that time Reinventing the representation: Dutch interwar art ―with an abundant presence of works by Charley Toorop―, to the linking of the work of this artist with that of her father Jan Toorop, and now we have to refer to the work of her son John Fernhaut (John Ferno in the credits of the movie The Spanish Earth)


Facing them. The video interviews

Screening

The set of images on display that form the project “Facing them” with Muslim women from Valencia, force the recipient to put their life experience at stake, to inquire inside what is their own meaning in relation to what is watching.


50th anniversary of the Stonewall revolt

Screening

It is often cited as an event that gave rise to the Gay Pride and everything that would come later, the revolt that took place at the Stonewall Inn and in its surroundings, in the Greenwich Village of New York, on June 28, 1969. That was 50 years ago. For that reason, it does not seem a bad idea to dedicate a memory.


Feminist Video and Interventions

Screening

On Saturday April 6, within the program of parallel activities carried out within the framework of the exhibition Feminist Plots ―a formulation of the LABi team (a project of the Master in Photography, Art and Technique of the Polytechnic University of Valencia in collaboration with La Posta Foundation)―, we had the opportunity to see a feminist video and installations sample (plus a guided tour), composed of the following works:


Brutal Ardour. Sound art and experimental cinema

Screening

Before Manuel Huerga became a renowned director of stage, film and television, in 1978, with only 19 years, he made the film "Brutal Ardour" (29:13 min.). It is often said of this film that it is experimental, but unlike what used to happen with the experimental films of the time, in which the soundtrack was circumstantial ―it responded to the musical tastes of the author of the film, with little or no relationship with the film―, however, in the case of "Brutal Ardour", the music used for the soundtrack is not only relevant but also becomes the protagonist element.


Crossdressing is Resisting

Screening

Being part of a historically excluded group, such as the LGBTI community, allowed me to understand that in the field of the enforceability of rights there is a resource that is continuously plundered and destroyed: the symbolic imaginary; who conquers it, has managed to gain a large part of the ground, thus, art becomes a strategy and the body becomes a tool.


8 PHOTOGRAPHS (Chilean)

Screening

This season at Fundación La Posta LABi 02 programming has been starring Chilean photographers: Alexis Díaz B., Paloma Sagüez, Rodolfo Muñoz, Francisco Navarrete Sitja, Jorge Pérez. #FOTOGRAFIACHILEValencia


Kluge Miniatures

Screening

As usual in La Posta Foundation, after the celebration of an exhibition focused on the audiovisual, we extend the experience on the web. In this case ―after "Alexander Kluge. Gardens of Cooperation"―, we do it with a work that has not been seen in the cinematographic exhibition but that summarizes very well some of the most outstanding characteristics of the works that were exhibited in it (in 2 programs). This is Vermischte Nachrichten (Miscellanea news), a work of Kluge and Beate Mainka-Jellinghause of 1988


The Art of My Scars (2016)

Screening

Our friend Kay J. Browning, from Devon, UK, we met through Beccy Strong, who participated in the exhibition "neXus. New looks in European documentary photography", he sends us a very good video (the one you can see above)


Parany

Screening

As usual in La Posta Fondation, after the exhibition of videographic/cinematographic works in the room, we leave them on display in our web 24 hours 7 days a week. This costume has more interest if it fits in the case of Parany Jaume Subirana/Gringos ―which was exhibited during the presentation of Apology/Anthology, the compilation of video art of the last 50 years in Spain, promoted by the distributor Hamaca―, Since this work does not belong to the catalog of Hamaca, then it is not in the web of the project