Educational activities have been high throughout the 2014-2015 season, as evident organizing conferences on the occasion of the opening of the exhibition; seminars, etc. In this moment of reflection summer it seems appropriate to give a brief summary of what happened in this section.

June 22 was released in I'm Camera, the program of the CCCB, the audiovisual "New Public" in full coincidence and content with the activities of La Posta Foundation "In the limits Part 2: Public to come". It was from the CCCB from where they contacted us to inform us of the happy coincidence. We have brought the audiovisual for viewing by all the public to come. It's no wonder this type of coincidences, as it is one of the key issues concerning the audiovisual immersion to which we subjected on multiscreen environment in which our life experience occurs.

During the fourth week of "In the limits", from 27 to 30 May have been the work: - Prelude to the Apocalypse, of Nacarid Lopez. - #SharedDish and Tout la du monde, Juan Carlos Rosa Casasola. Some of these works have been uploaded by the authors to Internet and are public. Here you can still enjoy them.

During the second week of "In the limits" of 13 to 16 May have been the work: - I Stay I Remain, Alejandra Bueno. - Light, Germán Torres - Infection, Patricia Cadavid. Some of these works have been uploaded by the authors to the Internet and are public. Here you can still enjoy them.

During the first week of "In the limits", from 6 to 9 May, the works have been seen: - The probe Pioneer, Yas - Irreal Time. The Nature Times, the art group Manusamo & Bzika. - Halfway part1, Lucia Montero. Some of these works have been uploaded by the authors to Internet and are public. Here you can still enjoy them.

In La Posta Foundation we are reflecting on the optimal conditions for a true cinematic experience viewing political cinema. In these times in the screen jobs of Aitor Lajarín, The Pond, 2015, 10 '04' ', and Kim Schoen, Have You Never Let Someone Else Be Strong?, 2012, 21' 30 '', and Second Oldest Amusement, 2011, 7 '32' '.

On the occasion of the inauguration of the exhibition The Invisible Resistance of Everyday Life II: Equivoque, with works by Kim Schoen and Aitor Lajarin, we had the opportunity to listen in conference curator Juan Fabuel explaining the conceptual context in which it occurs and some details of interest to situate its significance and relevance right now.

The effects of modernity still survive in our time. Currently much of the artistic practices focus their activities on various research that demand revision more than necessary for a holistic project that is no longer perceived as positive as before. Modernity has ceased to be a nostalgic mirror to find a reflection that she could not refund at the time. Such effects of the modern project, one that has more force is the binary division between nature and culture. A segmentation is revealed as one of the many fictions of human knowledge that while abstraction needs the watertight compartments that organize each of their disciplines, can not be understood without a close link between culture and nature.

(sic) society and culture, an example of artistic action applied to the urban environment of the institution that promotes, in this case the MuVIM (Valencian Museum of Illustration and Modernity). The neighborhood Velluters Valencia was the subject of detailed attention to the activities organized around (sic), a publication that gave access to social agents, authorities and neighbors to media created by the Museum to account the state of the neighborhood. What you saw and read (sic) is not a media error but, if anything, the neighborhood itself: (sic).

In Internet -in facebook FIDEX-, was submitted on December 11 book-catalog of the exhibition "The Inverted Classroom. Pedagogical Strategies and Artistic Practices from the Sexual Diversity", a work of the Research Group FIDEX, published by La Posta Foundation, in charge of Tatiana Sentamans and Daniel Tejero, coordinator Carmen G. Muriana and Scientific Committee as the Board of Trustees of La Posta Foundation composed by Román de la Calle, President, Guillem Pascual Cervera, Secretary, and Maria Jose Martinez de Pison, Vocal.