I Stay I Remain, Luz, Infección

Screening

During the second week of "In the limits" of 13 to 16 May have been the work: - I Stay I Remain, Alejandra Bueno. - Light, Germán Torres - Infection, Patricia Cadavid. Some of these works have been uploaded by the authors to the Internet and are public. Here you can still enjoy them.


La sonda Pioneer, Irreal Time. The Nature Times, Halfway part1

Screening

During the first week of "In the limits", from 6 to 9 May, the works have been seen: - The probe Pioneer, Yas - Irreal Time. The Nature Times, the art group Manusamo & Bzika. - Halfway part1, Lucia Montero. Some of these works have been uploaded by the authors to Internet and are public. Here you can still enjoy them.


Kim Schoen, Straub & Huillet and optimum conditions for the cinematic experience

Screening

In La Posta Foundation we are reflecting on the optimal conditions for a true cinematic experience viewing political cinema. In these times in the screen jobs of Aitor Lajarín, The Pond, 2015, 10 '04' ', and Kim Schoen, Have You Never Let Someone Else Be Strong?, 2012, 21' 30 '', and Second Oldest Amusement, 2011, 7 '32' '.


Knowledge never comes alone, Regina de Miguel, 2013

Screening

The effects of modernity still survive in our time. Currently much of the artistic practices focus their activities on various research that demand revision more than necessary for a holistic project that is no longer perceived as positive as before. Modernity has ceased to be a nostalgic mirror to find a reflection that she could not refund at the time. Such effects of the modern project, one that has more force is the binary division between nature and culture. A segmentation is revealed as one of the many fictions of human knowledge that while abstraction needs the watertight compartments that organize each of their disciplines, can not be understood without a close link between culture and nature.


(sic) society and culture, MuVIM 2009 and the “sociological art”

Screening

(sic) society and culture, an example of artistic action applied to the urban environment of the institution that promotes, in this case the MuVIM (Valencian Museum of Illustration and Modernity). The neighborhood Velluters Valencia was the subject of detailed attention to the activities organized around (sic), a publication that gave access to social agents, authorities and neighbors to media created by the Museum to account the state of the neighborhood. What you saw and read (sic) is not a media error but, if anything, the neighborhood itself: (sic).


Marcel van Eeden, between the plastic arts, film and videogames

Screening

Marcel van Eeden's drawings are characterized by the use of visual resources taken from the cinema, mainly from the aesthetics of film noir and in general classical cinema. Although, in a kind of return to the medium from which he obtains his images, in recent times he has launched into the production of moving images. But, he is doing it in a state-of-the-art medium such as the production of games, which we cannot qualify as video-games, given their non-digital visual presentation, on the contrary, easily identifiable with analog aesthetics.