Regardless of the intrinsic value of the work "The Most Electrified Town in Finland", Mika Taanila, view dOCUMENTA (13) 2012 Kassel (Germany), we show in this screening, was struck by the form of display by the use of multi-screen, and what is most important to us, for the contextualization of the cinematographic work connecting it with an installation in another room that mixes the exhibition of another film by Mika Taamila "Sommerreise" 2006 (this time shown in a micro tv), a documentary about Erkki Kurenniemi ―nuclear-scientist, composer, inventor of electronic musical instruments, experimental filmmaker, industrial-robotics specialist―, which can be seen alongside objects corresponding to work of this scientific-artist and information technology obsolete displayed to mode archaeological remains all in the Orangerie in Kassel that houses the Kabinett der Astronomie und Physik. It seems as if contemporary art, as well as centers that house, after confused with a museum of anthropology, now it blends into a Science Museum.

From the third season of "Cinema to come" held in 2015, the project team developed a monitoring process with viewers and spectators who attended the screenings, lectures and workshops this year. This collaborative process has enabled the realization of a number of film pieces that have been exhibited at the La Posta Foundation, within the framework of the project "In the limits" (May-June 2015). Thus, "In the limits (Part 2): Public to come" stated, throughout the month of June, work done by the public "Cinema to come". Or rather by different public.

When you have completed the first season of La Posta Foundation (October 2014 - June 2015) seems time to take stock of what happened.

Educational activities have been high throughout the 2014-2015 season, as evident organizing conferences on the occasion of the opening of the exhibition; seminars, etc. In this moment of reflection summer it seems appropriate to give a brief summary of what happened in this section.

June 22 was released in I'm Camera, the program of the CCCB, the audiovisual "New Public" in full coincidence and content with the activities of La Posta Foundation "In the limits Part 2: Public to come". It was from the CCCB from where they contacted us to inform us of the happy coincidence. We have brought the audiovisual for viewing by all the public to come. It's no wonder this type of coincidences, as it is one of the key issues concerning the audiovisual immersion to which we subjected on multiscreen environment in which our life experience occurs.

During the fourth week of "In the limits", from 27 to 30 May have been the work: - Prelude to the Apocalypse, of Nacarid Lopez. - #SharedDish and Tout la du monde, Juan Carlos Rosa Casasola. Some of these works have been uploaded by the authors to Internet and are public. Here you can still enjoy them.

During the second week of "In the limits" of 13 to 16 May have been the work: - I Stay I Remain, Alejandra Bueno. - Light, Germán Torres - Infection, Patricia Cadavid. Some of these works have been uploaded by the authors to the Internet and are public. Here you can still enjoy them.

During the first week of "In the limits", from 6 to 9 May, the works have been seen: - The probe Pioneer, Yas - Irreal Time. The Nature Times, the art group Manusamo & Bzika. - Halfway part1, Lucia Montero. Some of these works have been uploaded by the authors to Internet and are public. Here you can still enjoy them.

In La Posta Foundation we are reflecting on the optimal conditions for a true cinematic experience viewing political cinema. In these times in the screen jobs of Aitor Lajarín, The Pond, 2015, 10 '04' ', and Kim Schoen, Have You Never Let Someone Else Be Strong?, 2012, 21' 30 '', and Second Oldest Amusement, 2011, 7 '32' '.

On the occasion of the inauguration of the exhibition The Invisible Resistance of Everyday Life II: Equivoque, with works by Kim Schoen and Aitor Lajarin, we had the opportunity to listen in conference curator Juan Fabuel explaining the conceptual context in which it occurs and some details of interest to situate its significance and relevance right now.