The exhibition "Collective in the white cube", in the seat of La Posta Foundation, has allowed us to experience the work of Left Hand Rotation, SomosNosotros, Cinematrueque and Paupac Azul envelope and to some extent matteric. After the exhibition you can continue to enjoy these on the web, otherwise through the plasma or LCD monitor, a typical digital experience.

Regardless of the intrinsic value of the work "The Most Electrified Town in Finland", Mika Taanila, view dOCUMENTA (13) 2012 Kassel (Germany), we show in this screening, was struck by the form of display by the use of multi-screen, and what is most important to us, for the contextualization of the cinematographic work connecting it with an installation in another room that mixes the exhibition of another film by Mika Taamila "Sommerreise" 2006 (this time shown in a micro tv), a documentary about Erkki Kurenniemi ―nuclear-scientist, composer, inventor of electronic musical instruments, experimental filmmaker, industrial-robotics specialist―, which can be seen alongside objects corresponding to work of this scientific-artist and information technology obsolete displayed to mode archaeological remains all in the Orangerie in Kassel that houses the Kabinett der Astronomie und Physik. It seems as if contemporary art, as well as centers that house, after confused with a museum of anthropology, now it blends into a Science Museum.

June 22 was released in I'm Camera, the program of the CCCB, the audiovisual "New Public" in full coincidence and content with the activities of La Posta Foundation "In the limits Part 2: Public to come". It was from the CCCB from where they contacted us to inform us of the happy coincidence. We have brought the audiovisual for viewing by all the public to come. It's no wonder this type of coincidences, as it is one of the key issues concerning the audiovisual immersion to which we subjected on multiscreen environment in which our life experience occurs.

During the fourth week of "In the limits", from 27 to 30 May have been the work: - Prelude to the Apocalypse, of Nacarid Lopez. - #SharedDish and Tout la du monde, Juan Carlos Rosa Casasola. Some of these works have been uploaded by the authors to Internet and are public. Here you can still enjoy them.

During the second week of "In the limits" of 13 to 16 May have been the work: - I Stay I Remain, Alejandra Bueno. - Light, Germán Torres - Infection, Patricia Cadavid. Some of these works have been uploaded by the authors to the Internet and are public. Here you can still enjoy them.

During the first week of "In the limits", from 6 to 9 May, the works have been seen: - The probe Pioneer, Yas - Irreal Time. The Nature Times, the art group Manusamo & Bzika. - Halfway part1, Lucia Montero. Some of these works have been uploaded by the authors to Internet and are public. Here you can still enjoy them.

In La Posta Foundation we are reflecting on the optimal conditions for a true cinematic experience viewing political cinema. In these times in the screen jobs of Aitor Lajarín, The Pond, 2015, 10 '04' ', and Kim Schoen, Have You Never Let Someone Else Be Strong?, 2012, 21' 30 '', and Second Oldest Amusement, 2011, 7 '32' '.

The effects of modernity still survive in our time. Currently much of the artistic practices focus their activities on various research that demand revision more than necessary for a holistic project that is no longer perceived as positive as before. Modernity has ceased to be a nostalgic mirror to find a reflection that she could not refund at the time. Such effects of the modern project, one that has more force is the binary division between nature and culture. A segmentation is revealed as one of the many fictions of human knowledge that while abstraction needs the watertight compartments that organize each of their disciplines, can not be understood without a close link between culture and nature.

(sic) society and culture, an example of artistic action applied to the urban environment of the institution that promotes, in this case the MuVIM (Valencian Museum of Illustration and Modernity). The neighborhood Velluters Valencia was the subject of detailed attention to the activities organized around (sic), a publication that gave access to social agents, authorities and neighbors to media created by the Museum to account the state of the neighborhood. What you saw and read (sic) is not a media error but, if anything, the neighborhood itself: (sic).

In La Posta Foundation can be seen these days the exhibition “The Inverted Classroom. Pedagogical strategies and artistic practices from...
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