Within the framework of the Workshop on Entropic Landscape (2nd ed.), which has been held since mid-April, on day 9 that took place on Monday, May 6, the program stated that we would carry out a “sharing of all experiences during guided tours; projection of images, those taken by the participants; sample of the records carried out; presentation by the participants of proposals for exposing the results of the analyzes carried out on the landscapes”; and about the exhibition, it is said a little later: “The result of the perspective of the participants in the workshop will be shown, on the entropic landscapes studied in guided field visits, with the aim [simulated, because it is an exercise practical], to encourage a process of public participation, as required by the administrative procedures for the declaration and organization of “Historic Sites” and “Cultural Landscapes”, where each participant will show their concerns and respond to the objective of the workshop”. Well, this day concluded with the definition of a complete public participation plan, which is indicated below, to be followed in the coming dates, and on Thursday, June 20, the exhibition was inaugurated in the showcase space of the UPV Editorial, located next to the University Agora.

The Barda del Desierto Museum is a research platform and eco-museum that has been in North Patagonia for ten years.

Papel Engomado presents TROYANA$ in exhibition cycle format. His latest issue on sexuality, gender and economic satire.

Within the programming of the VI edition of Cinema to come, presentation of the monographic issue of CONCRETA dedicated to Cinema to come + screening of Umbracle by Pere Portabella at the Filmoteca (the film library), Thursday, November 29 at 8pm.

Presentation of the unpublished film of the work of Gordon Matta-Clark: Jacob's Ladder in Documenta 6 (1977) by Harold Berg and Rodolfo Muñoz. The process and management of the film and the involvement of the presenters in it will be discussed. To then give way to the conversation between Harold Berg, Nuria Enguita, moderated by Rodolfo Muñoz.

Within the section Reflection Spaces of FICAE International Short Film and Art Festival on Diseases, with the format CONVERSA(C)TIONS, the case of the BODIES IN FIGHT workshop. Participate in the presentation Anaïs Florin and Eva Fernández.

I have always seemed to see Carlos Maiques as an authentic bearer of a gift, although I will insist on the possibility that, in addition, he strives to offer another; this maybe yes, linked to a certain exchange. The first gift refers to the ability to see and do beyond expectations. The possibility of stopping in a very specific space, delimited and parceled paper, the essence of a specific situation.

An INNER NATURE EXHIBITION project in which La Posta Foundation is participating in a very active way. In its 3rd edition it is proposed as an itinerant international exhibition (we explain what it consists below), a call organized by the Art and Environment Research Center of the Polytechnic University of Valencia http://www.upv.es/entidades/CIAE/ , focusing on this issue on the problems and opportunities that water management poses today. Question on which Francesc La Roca, of the New Water Culture Foundation, updated us on the day of the presentation of the exhibition in the auditorium of the IVAM, on November 10, 2017.

The works selected for this presentation of Apology/Anthology them make up one of the possible routes through compilation, certainly in the limits of the categories that organize it (conceptual, dismantling and appropriation, political and social, gender identity, sexual orientation and body policies) seeking the areas of intersection with the field of film essay or creative documentary film. The resulting route has been characterized by repairing works that deepen the uprooting and the art of memory.

On December 14 Wednesday at 19 hours, the material derived from the project [In]Clots is presented at the La Posta Foundation, compiled in a catalog and in a video.